Practice-Based Research实践型研究

Haptic Loan触觉借用

A small artwork is lent to a participant, enters an everyday environment for approximately one week, and later returns with partial accounts of what happened while it was elsewhere.一件小型作品被借给参与者，在日常环境中停留约一周，随后带着关于它在别处所发生之事的局部叙述返回。

Year年份: 2025-ongoing
Status状态: Ongoing doctoral research进行中的博士研究
Materials材料: Temporary lending, domestic placement, return conversations, photographs, letters and recollection暂时借出、居住空间中的放置、归还谈话、照片、书信与回忆
Dimensions尺寸: Variable
Location地点: London and participants' everyday environments伦敦及参与者的日常环境

A diagram tracing an artwork as it leaves, stays elsewhere and returns.

Project项目

The method uses a minimal condition: live with the borrowed object temporarily and return it. The participant decides where the object stays and how closely to approach it. During the loan, the work may become visible or decorative, be protected or touched, recede into the background, or return to attention at the moment of return. The research follows these uneven relations through placement, attention, care, responsibility, temporary holding and return.这一方法使用一个最小条件：与借来的物件共同生活一段时间，并将它归还。参与者决定物件停留的位置，以及与它保持怎样的距离。借用期间，作品可能变得显眼或具有装饰性，被保护或触碰，也可能退入日常背景，直到归还时再次受到注意。研究沿着放置、注意、照料、责任、暂时持有与归还，追踪这些不均匀的关系。

The encounter develops through placement, attention, care, forgetting and return.相遇通过放置、注意、照料、遗忘与归还逐渐展开。

Relation to the research与研究的关系

The artist cannot witness the week as a complete sequence. The returned object arrives with selected photographs, remembered placements, spoken accounts, a later letter, recollection and gaps. This partial access forms the basis of unreliable witnessing.艺术家无法把这一周作为完整过程加以见证。归还的物件与被选择的照片、被记住的放置位置、口述、后来写下的信件、回忆和空缺一同返回。这种局部的接近构成“不可靠的见证”。